Showing posts with label TAJMAHAL V/S TEJOMAHALYA. Show all posts
Showing posts with label TAJMAHAL V/S TEJOMAHALYA. Show all posts

Friday, October 30, 2015

ताजमहल में नहीं दफनाई गई थीं मुमताज, truth of mumtaj mahal ,Taj mahal


ताजमहल में नहीं यहां दफनाई गई थीं मुमताज, बच्चे को जन्म देते हुई थी मौत


ताजमहल में नहीं यहां दफनाई गई थीं मुमताज, बच्चे को जन्म देते हुई थी मौत
(बुरहानपुर के जैनाबाद में स्थित मुमताज महल का मकबरा) 
1 नवंबर को मध्यप्रदेश का स्थापना दिवस है। इस मौके पर dainikbhaskar.com आज आपको बताने जा रहा है प्रदेश के बुरहानपुर में बेगम मुमताज महल के बारे में।
इंदौर। अपनी कई ऐतिहासिक धरोहरों के लिए जाना जाने वाले मध्यप्रदेश के बुरहानपुर जिले में ही शाहजहां की बेगम मुमताज की असली कब्र है। बुरहानपुर में अपनी चौदहवीं संतान को जन्म देने के दौरान मुमताज की मृत्यु हो गई थी। इसके बाद उन्हें छह महीने तक यहीं दफनाया गया। जिसके बाद उनकी कब्र को आगरा ले जाया गया।
जैनाबाद में है असली कब्र 
सम्राट शाहजहां की बेगम मुमताज की मौत न तो आगरा में हुई और न ही उसे वहां दफनाया गया। असल में मुमताज की मौत मध्य प्रदेश के बुरहानपुर जिले की जैनाबाद तहसील में हुई थी। मुमताज की कब्र ताप्ती नदी के पूर्व में आज भी स्थित है। इतिहासकारों के अनुसार लोधी ने जब 1631 में विद्रोह का झंडा उठाया था तब शाहजहां अपनी पत्नी मुमताज महल को लेकर बुरहानपुर आ गया था। उन दिनों मुमताज गर्भवती थी। सात जून 1631 में बच्चे को जन्म देते समय उसकी मौत हो गई। दूसरे दिन गुरुवार की शाम उसे वहीँ आहुखाना के बाग में दफना दिया गया। यह इमारत आज भी खस्ता हाल में है। इतिहासकारों के मुताबिक मुमताज की मौत के बाद शाहजहां का मन हरम में नहीं रम सका। कुछ दिनों के भीतर ही उसके बाल सफ़ेद हो गए। बादशाह जब तक बुरहानपुर में रहे नदी में उतरकर बेगम की कब्र पर हर जुमेरात को वहां गए। जिस जगह मुमताज की लाश रखी गई थी उसकी चारदीवारी में दीये जलाने के लिए आले बने हैं। यहां 40 दिन तक दीये जलाए गए। कब्र के पास एक इबादतगाह भी मौजूद है। एक दिन उसने मुमताज की कब्र पर हाथ रखकर कसम खाई कि तेरी याद में एक ऐसी इमारत बनवाऊंगा, जिसके बराबर की दुनिया में दूसरी नहीं होगी। बताते हैं कि शाहजहां की इच्छा थी कि ताप्ती नदी के तट पर ही मुमताज की स्मृति में एक भव्य इमारत बने। शाहजहां ने ईरान से शिल्पकारों को जैनाबाद बुलवाया। शिल्पकारों ने ताप्ती नदी के का निरीक्षण कर इस जगह पर कोई इमारत बनाने से मना कर दिया। तब शहंशाह ने आगरा की और रुख किया। जिस स्थान पर आज ताजमहल है उसको लेकर लोगों के अलग-अलग मत है।
लाश लाने में खर्च हुए आठ करोड़
कहा जाता है कि इसे बनाने के लिए ईरान, तुर्की, फ़्रांस और इटली से शिल्पकारों को बुलया गया। उस समय वेनिस से प्रसिद्ध सुनार व जेरोनियो को बुलवाया गया था. शिराज से उस्ताद ईसा आफंदी भी आए, जिन्होंने ताजमहल क रूपरेखा तैयार की थी। उसी के अनुरूप कब्र की जगह तय की गई। 22 सालों बाद जब इसका काम पूरा हो गया तो मुमताज के शव को पुनः दफनाने की प्रक्रिया शुरू हुई। बुरहानपुर के जैनाबाद से मुमताज के जनाजे को एक विशाल जुलूस के साथ आगरा ले जाया गया और ताजमहल के गर्भगृह में दफना दिया गया। जुलूस पर उस समय आठ करोड़ रुपये खर्च हुए थे।
बुरहानपुर में ही असली कब्र
बुहरानपुर स्टेशन से लगभग दस किलोमीटर दूर शहर के बीच बहने वाली ताप्ती नदी के उस पर जैनाबाद (फारुकी काल), जो कभी बादशाहों की शिकारगाह (आहुखाना) हुआ करता था। दक्षिण का सूबेदार बनाने के बाद शहजादा दानियाल ने इस जगह को अपने पसंद के अनुरूप महल, हौज, बाग-बगीचे के बीच नहरों का निर्माण करवाया। लेकिन 8 अप्रेल 1605 को मात्र तेईस साल की उम्र मे सूबेदार की मौत हो गई। इसके बाद आहुखाना उजड़ने लगा। जहांगीर के शासन काल में अब्दुल रहीम खानखाना ने ईरान से खिरनी एवं अन्य प्रजातियों के पौधे मंगवाकर आहुखाना को फिर से ईरानी बाग के रूप में विकसित कराया। इस बाग का नाम शाहजहां की पुत्री आलमआरा के नाम पर रखा गया।

बादशाहनामा के लेखक अब्दुल हामिद लाहौरी साहब के मुताबिक शाहजहां की
प्रेयसी मुमताज महल की जब प्रसव के दौरान मौत हो गई तो उसे यहीं पर स्थाई
रूप से दफ़न कर दिया गया था।
जिसके लिए आहुखाने के एक बड़े हौज़ को बंद करके तल घर बनाया गया और
वहीँ पर मुमताज के जनाजे को छह माह रखने के बाद शाहजहां का बेटा शहजादा
शुजा,सुन्नी बेगम और शाह हाकिम वजीर खान,मुमताज के शव को लेकर बुहरानपुर
के इतवारागेट-दिल्ली दरवाज़े से होते हुए आगरा ले गए,,
जहां पर यमुना के तट पर स्थित राजा मान सिंह के पोते राजा जय सिंह के बाग में
में बने तेजो महालय (ताजमहल) में सम्राट शाहजहां की प्रेयसी एवं पत्नी मुमताज
महल के जनाजे को दोबारा दफना दिया गया।
— भाष्कर प्रस्तुति,,,
ताजमहल में नहीं यहां दफनाई गई थीं मुमताज, बच्चे को जन्म देते हुई थी मौतताजमहल में नहीं यहां दफनाई गई थीं मुमताज, बच्चे को जन्म देते हुई थी मौतताजमहल में नहीं यहां दफनाई गई थीं मुमताज, बच्चे को जन्म देते हुई थी मौतताजमहल में नहीं यहां दफनाई गई थीं मुमताज, बच्चे को जन्म देते हुई थी मौतताजमहल में नहीं यहां दफनाई गई थीं मुमताज, बच्चे को जन्म देते हुई थी मौतताजमहल में नहीं यहां दफनाई गई थीं मुमताज, बच्चे को जन्म देते हुई थी मौतताजमहल में नहीं यहां दफनाई गई थीं मुमताज, बच्चे को जन्म देते हुई थी मौतताजमहल में नहीं यहां दफनाई गई थीं मुमताज, बच्चे को जन्म देते हुई थी मौतताजमहल में नहीं यहां दफनाई गई थीं मुमताज, बच्चे को जन्म देते हुई थी मौतताजमहल में नहीं यहां दफनाई गई थीं मुमताज, बच्चे को जन्म देते हुई थी मौतताजमहल में नहीं यहां दफनाई गई थीं मुमताज, बच्चे को जन्म देते हुई थी मौत

Wednesday, October 29, 2014

ताजमहल में नहीं जैनाबाद में मुमताज की कब्र, बच्चे को जन्म देते हुई थी मौत

ताजमहल में नहीं यहां है मुमताज की कब्र, बच्चे को जन्म देते हुई थी मौत
ताजमहल में नहीं यहां है मुमताज की कब्र, बच्चे को जन्म देते हुई थी मौतइंदौर। अपनी कई ऐतिहासिक धरोहरों के लिए जाना जाने वाले मध्यप्रदेश के बुरहानपुर जिले में ही शाहजहां की बेगम मुमताज की असली कब्र है। बुरहानपुर में अपनी चौदहवीं संतान को जन्म देने के दौरान मुमताज की मृत्यु हो गई थी। इसके बाद उन्हें छह महीने तक यहीं दफनाया गया और बाद में शव को कब्र से निकलवा कर शाहजहां अपने साथ आगरा ले गए, जहां मुमताज के शव को ताजमहल में दफनाया गया।
जैनाबाद में है असली कब्र
सम्राट शाहजहां की बेगम मुमताज की मौत न तो आगरा में हुई और न ही उसे वहां दफनाया गया। असल में मुमताज की मौत मध्य प्रदेश के बुरहानपुर जिले की जैनाबाद तहसील में हुई थी। मुमताज की कब्र ताप्ती नदी के पूर्व में आज भी स्थित है। इतिहासकारों के अनुसार लोधी ने जब 1631 में विद्रोह का झंडा उठाया था तब शाहजहां अपनी पत्नी मुमताज महल को लेकर बुरहानपुर आ गया था। उन दिनों मुमताज गर्भवती थी। सात जून 1631 में बच्चे को जन्म देते समय उसकी मौत हो गई। दूसरे दिन गुरुवार की शाम उसे वहीँ आहुखाना के बाग में दफना दिया गया। यह इमारत आज भी खस्ता हाल में है। इतिहासकारों के मुताबिक मुमताज की मौत के बाद शाहजहां का मन हरम में नहीं रम सका। कुछ दिनों के भीतर ही उसके बाल सफ़ेद हो गए। बादशाह जब तक बुरहानपुर में रहे नदी में उतरकर बेगम की कब्र पर हर जुमेरात को वहां गया। जिस जगह मुमताज की लाश रखी गई थी उसकी चारदीवारी में दीये जलाने के लिए आले बने हैं। यहां 40 दिन तक दीये जलाए गए। कब्र के पास एक इबादतगाह भी मौजूद है। एक दिन उसने मुमताज की कब्र पर हाथ रखकर कसम खाई कि तेरी याद में एक ऐसी इमारत बनवाऊंगा, जिसके बराबर की दुनिया में दूसरी नहीं होगी। बताते हैं कि शाहजहां की इच्छा थी कि ताप्ती नदी के तट पर ही मुमताज कि स्मृति में एक भव्य इमारत बने। शाहजहां ने ईरान से शिल्पकारों को जैनाबाद बुलवाया। शिल्पकारों ने ताप्ती नदी के का निरीक्षण कर इस जगह पर कोई इमारत बनाने से मना कर दिया। तब शहंशाह ने आगरा की और रुख किया। जिस स्थान पर आज ताजमहल है उसको लेकर लोगों के अलग-अलग मत है।
लाश लाने खर्च हुए आठ करोड़
कहा जाता है कि इसे बनाने के लिए ईरान, तुर्की, फ़्रांस और इटली से शिल्पकारों को बुलया गया। उस समय वेनिस से प्रसिद्ध सुनार व जेरोनियो को बुलवाया गया था. शिराज से उस्ताद ईसा आफंदी भी आए, जिन्होंने ताजमहल कि रूपरेखा तैयार की थी। उसी के अनुरूप कब्र की जगह तय की गई। 22 सालों बाद जब इसका काम पूरा हो गया तो मुमताज के शव को पुनः दफनाने की प्रक्रिया शुरू हुई। बुरहानपुर के जैनाबाद से मुमताज के जनाजे को एक विशाल जुलूस के साथ आगरा ले जाया गया और ताजमहल के गर्भगृह में दफना दिया गया। जुलूस पर उस समय आठ करोड़ रुपये खर्च हुए थे।
 
 
बुरहानपुर में ही असली कब्र
बुहरानपुर स्टेशन से लगभग दस किलोमीटर दूर शहर के बीच बहने वाली ताप्ती नदी के उस पर जैनाबाद (फारुकी काल), जो कभी बादशाहों की शिकारगाह (आहुखाना) हुआ करता था। दक्षिण का सूबेदार बनाने के बाद शहजादा दानियाल ने इस जगह को अपने पसंद के अनुरूप महल, हौज, बाग-बगीचे के बीच नहरों का निर्माण करवाया। लेकिन 8 अप्रेल 1605 को मात्र तेईस साल की उम्र मे सूबेदार की मौत हो गई। इसके बाद आहुखाना उजड़ने लगा। जहांगीर के शासन काल में अब्दुल रहीम खानखाना ने ईरान से खिरनी एवं अन्य प्रजातियों के पौधे मंगवाकर आहुखाना को फिर से ईरानी बाग के रूप में विकसित कराया। इस बाग का नाम शाहजहां की पुत्री आलमआरा के नाम पर रखा गया।
बादशाहनामा के लेखक अब्दुल हामिद लाहौरी साहब के मुताबिक शाहजहां की प्रेयसी मुमताज महल की जब प्रसव के दौरान मौत हो गई तो उसे यहीं पर स्थाई रूप से दफ़न कर दिया गया था। जिसके लिए आहुखाने के एक बड़े हौज़ को बंद करके तल घर बनाया गया और वहीँ पर मुमताज के जनाजे को छह माह रखने के बाद शाहजहां का बेटा शहजादा शुजा, सुन्नी बेगम और शाह हाकिम वजीर खान, मुमताज के शव को लेकर बुहरानपुर के इतवारागेट-दिल्ली दरवाज़े से होते हुए आगरा ले गए. जहां पर यमुना के तट पर स्थित राजा मान सिंह के पोते राजा जय सिंह के बाग में में बने ताजमहल में सम्राट शाहजहां की प्रेयसी एवं पत्नी मुमताज महल के जनाजे को दोबारा दफना दिया गया।
Akhtarkhanakela.blogspot.com

Wednesday, July 2, 2014

पद्मनाभ स्वामी मंदिर को खोला जा सकता है, तो आगरा का ताज महल क्यो नही?

पद्मनाभ स्वामी मंदिर के खजाने को खोला जा सकता है, तो आगरा का ताज महल (तेजो महालय शिव मंदिर) क्यो नही? कई कमरे शहाजहान के समय से बंद है और अभी तक उन्हे खोलने कि इजाजत नही। ये सब जनता से क्यू छुपा रहे है? इस मामले को आगे बढ़ाने के लिए जल्द ही अदालत में केस दर्ज करुंगा! - डॉ. सुब्रमण्यम स्वामी

Subramanian Swamy

#drswamy #swamy #drsubramanianswamy #subramanianswamy

पद्मनाभ स्वामी मंदिर के खजाने को खोला जा सकता है, तो आगरा का ताज महल (तेजो महालय शिव मंदिर) क्यो नही? कई कमरे शहाजहान के समय से बंद है और अभी तक उन्हे खोलने कि ...इजाजत नही। ये सब जनता से क्यू छुपा रहे है? इस मामले को आगे बढ़ाने के लिए जल्द ही अदालत में केस दर्ज करुंगा! - डॉ. सुब्रमण्यम स्वामी

Friday, May 2, 2014

Taj Built Earlier-Taj Mahal Not On Islamic Traditions,

Original article by Ramani
The Taj Mahal
Blue print of the Taj Mahal showing cross-section of Central Edifice in a book by J Fergusson in 1855. It clearly shows the hidden basements For larger Image Click on This Image.
Nowhere an Islamic Mausoleum the word Mahal is found anywhere in the World.
The name itself consists of two words, Mumtaz and Mahal.
The name of Mumtaz is not Mumtaz, it was a pet  name , given by, one is not sure by whom.
That Shahjahancalled her this way is not found in any reference.
Her Name.’Arjumand Banu Begum
Even if one were to assume her name has been given to the Taj Mahal, it should be The Taz Mahal and not Taj Mahal.
“Tavernier, a French jeweller has recorded in his travel memoirs that Shahjahan purposely buried Mumtaz near the Taz-i-Makan (i.e.,`The Taj building’) where foreigners used to come as they do even today so that the world may admire. He also adds that the cost of the scaffolding was more than that of the entire work. The work that Shahjahan commissioned in the Tejomahalaya Shiva temple was plundering at the costly fixtures inside it, uprooting the Shiva idols, planting the cenotaph in their place on two stories, inscribing the koran along the arches and walling up six of the seven stories of the Taj. It was this plunder, desecrating and plundering of the rooms which took 22 years.
Peter Mundy, an English visitor to Agra recorded in 1632 (within only a year of Mumtaz’s death) that `the places of note in and around Agra, included Taj-e-Mahal’s tomb, gardens and bazaars’.He, therefore, confirms that the Tajmahal had been a noteworthy building even before Shahjahan.
27. De Laet, a Dutch official has listed Mansingh’s palace about a mile from Agra fort, as an outstanding building of pre shahjahan’s time. Shahjahan’s court chronicle, theBadshahnama records, Mumtaz’s burial in the same Mansingh’s palace.
28. Bernier, a contemporary French visitor has noted that non muslim’s were barred entry into the basement (at the time when Shahjahan requisitioned Mansingh’s palace) which contained a dazzling light. Obviously, he refered to the silver doors, gold railing, the gem studded lattice and strings of pearl hanging over Shiva’s idol. Shahjahan commandeered the building to grab all the wealth, making Mumtaz’s death a , a convenient pretext.
Johan Albert Mandelslo, who describes life in agra in 1638 (only 7 years after mumtaz’s death) in detail (in his `Voyages and Travels to West-Indies’, published by John Starkeyand John Basset, London), makes no mention of the Tajmahal being under construction though it is commonly , in error,,asserted or assumed that the Taj was being built from 1631 to 1653.
( link--mysteriesexplored)”
Next, The Emperors ,royalty including Humayun, Akbar, Mumtaz, Etmad-ud-Daula and Safdarjang have been buried in capture Hindu mansions and temples.
If the Taj is believed to be a burial place, how can the term Mahal, i.e., mansion apply to it?
Taj Geometrical Shapes.
Taj Mahal and Geometry Shapes Agra India Dome Drum Minaret. image :http://powertripberkeley.com/taj-mahal-and-geometry-shapes-agra-india-dome-drum-minaret/
The plaque put the archaeology department outside the Taj Mahal describes the edifice as a mausoleum built by Shahjahan for his wife Mumtaz Mahal , over 22 years from 1631 to 1653. That plaque is a specimen of historical bungling. Firstly, the plaque sites no authority for its claim. Secondly the lady’s name was Mumtaz-ulZamani and not Mumtazmahal. Thirdly, the period of 22 years is taken from some mumbo jumbo noting by an unreliable French visitor Tavernier, to the exclusion of all muslim versions, which is an absurdity.
20. Prince Aurangzeb’s letter to his father,emperor Shahjahan,is recorded in atleast three chronicles titled `Aadaab-e-Alamgiri’, `Yadgarnama’, and the `Muruqqa-i-Akbarabadi’ (edited by Said Ahmed, Agra, 1931, page 43, footnote 2). In that letter Aurangzeb records in 1652 A.D itself that the several buildings in the fancied burial place of Mumtaz were seven storeyed and were so old that they were all leaking, while the dome had developed a crack on the northern side.Aurangzeb, therefore, ordered immediate repairs to the buildings at his own expense while recommending to the emperor that more elaborate repairs be carried out later. This is the proof that during Shahjahan’s reign itself that the Taj complex was so old as to need immediate repairs.
21. The ex-Maharaja of Jaipur retains in his secret personal `KapadDwara’ collection two orders from Shahjahan dated Dec 18, 1633 (bearing modern nos. R.176 and 177) requistioning the Taj building complex. That was so blatant a usurpation that the then ruler of Jaipur was ashamed to make the document public.
22. The Rajasthan State archives at Bikaner preserve three other firmans addressed by Shahjahan to the Jaipur’s ruler Jaising ordering the latter to supply marble (for Mumtaz’s grave and koranic grafts) from his Makranna quarris, and stone cutters. Jaisingh was apparently so enraged at the blatant seizure of the Taj Mahal that he refused to oblige Shahjahan by providing marble for grafting koranic engravings and fake cenotaphs for further desecration of the Taj Mahal. Jaising looked at Shahjahan’s demand for marble and stone cutters, as an insult added to injury. Therefore, he refused to send any marble and instead detained the stone cutters in his protective custody.
The three firmans demanding marble were sent to Jaisingh within about two years of Mumtaz’s death. Had Shahjahan really built the Taj Mahal over a period of 22 years, the marble would have needed only after 15 or 20 years not immediately after Mumtaz’s death.
Moreover, the three mention neither the Taj Mahal, nor Mumtaz, nor the burial. The cost and the quantity of the stone also are not mentioned. This proves that an insignificant quantity of marble was needed just for some superficial tinkering and tampering with the Taj Mahal. Even otherwise Shahjahan could never hope to build a fabulous Taj Mahal by abject dependence for marble on a non cooperative Jaisingh.”
Shajahan himself was probably responsible for this twisting of historical truth. The truth would have shown him to be inconsistent and this could not be tolerated. For this reason also, the histories contain no statements of any kind that are critical of the Emperor or his policies, and even military defeats are rationalized so that no blame could be attached to him. … effusive praise of the Emperor is carried to such extremes that he seems more a divinity than a mortal man.” (p. xxvi)
With the court chroniclers’ histories carefully edited, and with the great scarcity of documents we are fortunate to have four surviving farmans or directives issued by Shahjahan to Raja Jai Singh of Amber-the very same local ruler from whom the Emperor acquired the Taj property. On the basis of these farmans, the court chroniclers and a visiting European traveler, we learn that: (i) Mumtaz died and was buried temporarily at Burhanpur on June 17, 1631; (ii) her body was exhumed and taken to Agra on December 11, 1631; (iii) she was reburied somewhere on the Taj grounds on January 8, 1632; and (iv) European traveler Peter Mundy witnessed Shahjahan’s return to Agra with his cavalcade on June 11, 1632.
The first farman was issued on September 20, 1632 in which the Emperor urges Raja Jai Singh to hasten the shipment of marble for the facing of the interior walls of the mausoleum, i.e., the Taj main building. Naturally a building had to be there to receive the finish. How much time was needed to put that basic building in place?
Every successful new building construction follows what we call in modern-day construction a “critical path”. There is a normal sequence of steps requiring a minimum time before other processes follow. Since Mumtaz died unexpectedly and relatively young (having survived thirteen previous child-births), we can assume that Shahjahan was unprepared for her sudden demise. He had to conceive, in the midst of his trauma, of a world class tomb dedicated to her, select an architect (whose identity is still debated), work out a design program with the architect, and have the architect prepare designs, engineer the structure and mechanical systems, detail the drawings, organize the contractors and thousands of workers, and prepare a complex construction schedule. Mysteriously, no documents relating to this elaborate procedure, other than the four farmans have survived.
We cannot assume that the Taj complex was built additively with the buildings and landscaping built as needed. It was designed as a unified whole. Begley and Desai make this clear by their analysis of the grid system that was employed by the designer to unite the complex horizontally and vertically to into a three-dimensional whole. If one did not “know” that it was a solemn burial grounds, one would believe that it was designed as a palace with a delightful air of fantasy and secular delights of waterways and flowering plants. Could it be that this is Raja Jai Singh’s palace, never destroyed, converted by decree and some minimum face-lifting to a Mughal tomb?
Assuming that Shahjahan was galvanized into prompt action to initiate the project on behalf of his deceased beloved, we can safely assume that he needed one year minimum between conception and ground-breaking. Since Mumtaz died in June 1631, that would take us to June 1632. But construction is said to have begun in January 1632.
Excavation must have presented a formidable task. First, the demolition of Raja Jai Singh’s palace would have had to occur. We know that the property had a palace on it from the chronicles of Mirza Qazini and Abd al-Hamid Lahori. Lahori writes:
“As there was a tract of land (zamini) of great eminence and pleasantness towards the south of that large city, on which before there was this mansion (manzil) of Raja Man Singh, and which now belongs to his grandson Raja Jai Singh, it was selected for the burial place (madfan) of that tenant of paradise.[Mumtaz]” (p. 43)
Measures would have to be taken during excavation of this main building and the other buildings to the north to retain the Jumna River from inundating the excavation. The next steps would have been to sink the massive foundation piers, put in the footings, retaining the walls and the plinth or podium to support the Taj and its two accompanying buildings to the east and west plus the foundations for the corner towers, the well house, the underground rooms, and assuming the complex was done at one time, all the supports for the remainder of the buildings throughout the complex. To be conservative in our estimate, we need at least another year of construction which takes us up to January 1634.
But here is the problem. On the anniversary of the death of Mumtaz, each year Shahjahan would stage the Urs celebration at the Taj. The first Urs occurred on June 22, 1632. Though construction had allegedly begun only six months earlier, the great plinth of red sandstone over brick, 374 yards long, 140 yards wide, and 14 yards high was already in place! Even Begley and Desai are somewhat amazed.
Where was all the construction debris, the piles of materials, the marble, the brick scaffolding, the temporary housing for thousands of workers, the numerous animals needed to haul materials? If “heaven was surpassed by the magnificence of the rituals”, as one chronicler puts it, then nothing should have been visible to mar the exquisite panorama that the occasion called for.
But by June 1632, it was not physically possible that construction could have progressed to completion of excavation, construction of all the footings and foundations, completion of the immense platform and clearing of all the debris and eyesores in preparation for the first Urs.


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Taj Mahal WAS Tejo Mahalay, Teja (Jats'1 name of Shiva is Tejaji) + Mahalay (mansion) is a Temple Palace of Lord Shiva

Shiva Linga In Mecca, OM Is 786?



Shiv Linga in Mecca

Historical Account

The Agra city, in which the Taj Mahal is located, is an ancient center of Shiva worship. Its orthodox residents have through ages continued the tradition of worshiping at five Shivashrines before taking the last meal every night especially during the month of Shravan.
During the last few centuries the residents of Agra had to be content with worshiping at only four prominent Shiva temples viz.,BalkeshwarPrithvinathManakameshwar and Rajarajeshwar. They had lost track of the fifth Shiva deity which their forefathers worshiped. Apparently the fifth was Agreshwar Mahadev Nagnatheshwar i.e., The Lord Great God of Agra, The Deity of the King of Cobras, consecrated in the Tejo Mahalay (Taj Mahal).
The famous Hindu treatise on architecture titled Vishwakarma Vastushastra mentions the 'Tej-Linga' amongst the Shivalingasi.e., the stone emblems of Lord Shiva, the Hindu deity. Such a Tej Linga was consecrated in the Taj Mahal, hence the term Taj Mahal alias Tejo Mahalay. The other name of the emblem was Agreswar Mahadev and it is important to note that from the wordAgreswar, the name of the city of Agra has been derived.
A locality in, nearly 4 km away from Taj Mahal, is called Bateswar and in 1900 A.D., General Cuningham, the then Director of the Archaeological Survey of India (ASI), conducted an excavation at Bateswar and discovered an edict, now known as the Munj Bateswar Edict and kept at the Lucknow Museum. The epigraph contains 34 verses written in Sanskrit, out of which 25th, 26thand 34th verses are important in the present context. An English translation of the above verses reads:
“He built a marble temple which is the abode of Lord Vishnu and the King bows down to touch His feet” (25).
“The King has built another marble temple which has been dedicated to the Lord Who has the moon as His ornament on His forehead” (26).
“Today, the 5th day of the bright half in the month of Ashwin, the Sunday, in the year 1212 of the Vikram Samvat, the edict is being laid” (34).
Mr. D. J. Kale, a well known archaeologist, has mentioned the said Munj Bateswar Edict in his celebrated work Epigraphica India. On page 124 of the said book, Mr. Kale writes,
“The sais Munj Bateswar Edict was laid by King Paramardidev of the Chandratreya dynasty on Sukla Panchami in the month of Ashwin, in the year 1212 Vikram Samvat (or A.D. 1156). … King Paramardidev built two magnificent temples with white marble, one for Lords Vishnu and the other for Lord Shiva and they were desecrated later on by the Muslim invaders. Perhaps a farsighted man took the edict to a safer place at Bateswar abd buries it beneath the ground”.
Perhaps, after the said desecration, the temples were no longer used as religious places and due to this reason Abdul Hamid Lahori mentioned them as palaces, not as temples.
According to the renowned historian Mr. R. C. Majumdar, the other name of the Chandratreya or Chandel King Paramardidev was Paramal and their kingdsom was known asBundelkhand, a.k.a. Jejakabhukti2.
Today, there are two marble palaces in Agra, one is the Mausoleum of Idmat-ud-Daula, the father of Noorjahan and the other is Taj Mahal, and it is evident from the Munj Bateswar edict that, once upon a time, one of them was the temple of Lord Vishnu and the other was a temple of Lord Shiva. Experts believe that it is the temple of Vishnu that has been made the mausoleum of Idmat-ud-Daula, and the temple of Shiva has been converted into the mausoleum of the queen Arjumand Banu. A few evidences in favour of this conclusion are given below.
Bharatvarsha , as explained in the Purans included the areas now we call as Australia,Egypt, Europe apart from Africa,present Confederation of Russia.
Please read my posts on this subject under Hinduism.
When compared to Hinduism, Christianity And Islam are of recent origin.
It is a known fact that Muslims plundered the kingdoms they have conquered and carted away valuables, including Idols , calling the Idol worshippers as ‘kafirs’
I am reproducing some photographic evidence.
The joke is that both Islam and Christianity which mock at Hinduism for worshipping  Gods as Idols iin the for of Man ans animal(Hanumn,Varaha, Narasimha0 have now ended up prayinga Stone(kaaba) and Symbol for addition, The Cross!
Now there is evidence that the Muslims carted a Shiva linga and had it installed it in Meccaand it is worshipped.
Shiv Linga in Mecca.

As in the headquarters of Christianity (namely the Vatican in Rome) at the headquarters of Islam too (namely in the Kaaba temple in Mecca city of Saudi Arabia) the ancient Hindu Shiva Linga may still be seen. This cylindrical stone, rendered immovable for security by being fixed in the outer corner of a wall, is the object of reverence of all Muslims. Here Muslims still continue the seven perambulations in the age old Hindu style except that they move anti-clockwise. White silver foil shrouds the stone. The oval uncovered central portion gives the pilgrims an idea of how the stone looks. Syrians had once carried away the stone as a war trophy and kept it for 22 years.
“The King Vikramaditya inscription was found on a gold dish hung inside the Kaaba shrine in Mecca, proving beyond doubt that the Arabian Peninsula formed a part of his Indian Empire. (Ref: page 315 of a volume known as ‘Sayar-ul-Okul’ treasured in the Makhtab-e-Sultania library in Istanbul, Turkey). King Vikrama’s preachers had succeeded in spreading the Vedic Hindu sacred scriptures in Arabia and Arabs were once followers of the Indian Vedic way of life. The annual fair known as OKAJ which used to be held every year around the Kaaba temple in Mecca and the present annual hajj of the Muslims to the Kaaba is of earlier pre-Islamic congregation. . Even to this day ancient Siva emblems can be seen. It is the Shankara (Siva) stone that Muslim pilgrims reverently touch and kiss in the Kaaba.
The Kaaba has 360 idols. Traditional accounts mention that one of the deities among the 360 destroyed when the place was stormed was that of Saturn; another was of the Moon and yet another was one called Allah. That shows that in the Kaaba the Arabs worshipped the nine planets in pre-Islamic days. In India the practice of ‘Navagraha’ puja, that is worship of the nine planets, is still in vogue. Two of these nine are Saturn and Moon. In India the crescent moon is always painted across the forehead of the Siva symbol. Since that symbol was associated with the Siva emblem in Kaaba it came to be grafted on the flag of Islam.
The Hindu Vedic letter in Sanskrit “OM” if seen in a mirror one can see the Arabic numbers 786 and this is the most sacred number for Muslims and copies of the Arabic Koran have the mysterious figure 786 imprinted on them. In their ignorance simply they do not realize that this special number is nothing more than the holiest of Vedic symbols misread and none of the Arabic scholar has been able to determine how they chose 786 as the sacred for them. In short muslims are also going around Siva Lingam at Kaaba, seven times asHindus go around it seven times.
A few miles away from Mecca are a big signboard which bars the entry of any non-Muslim into the area. This is a reminder of the days when the Kaaba was stormed and captured solely for the newly established faith of Islam. The object in barring entry of non-Muslims was obviously to prevent its recapture. Kaaba is clothed in a black shroud. This custom also originated from the days when it was thought necessary to discourage its recapture by camouflaging it.
Another Hindu tradition associated with the Kaaba is that of the sacred stream Ganga (sacred waters of the Ganges river). According to the Hindu tradition Ganga is also inseparable from the Shiva emblem as the crescent moon. Wherever there is a Siva emblem, Ganga must co-exist. True to that association a sacred fount exists near the Kaaba. Its water is held sacred because it has been traditionally regarded as Ganga sincepre-Islamic times (Zam-Zam water).

The seizure from the Maharaja of Jaipur

The Muslims started their rule over India in 712 A.D. with the invasion of Mohammed Qasem. During their rule they looted and destroyed hundreds of thousands of Hindu temples. Aurangzeb himself destroyed 10,000 Hindu temples during his reign! Some of the larger temples were converted into mosques or other Islamic structures. Ram Janmbhoomi (at Ayodhya) and Mathura Krishna Temple (at Mathura) are just two examples. The most evident of such structures is Taj Mahal.
The Badshahnama -- Documentary evidence from Mogul records showing clearly how the Taj was acquired from Raja Mansingh
The Badshahnama — Documentary evidence from Mogul records showing clearly how the Taj was acquired from Raja Mansingh
Aurangzeb's Letter: Aurangzeb writing to his father Shahjahan within years of completion as to extensive repairs required to the Taj.
Aurangzeb's Letter: Aurangzeb writing to his father Shahjahan within years of completion as to extensive repairs required to the Taj.
An English translation of the contents from line 21 of page 402 to line 41 on page 403 of Badshahnama is given below.
“Friday, 15th Jamadiulawal, the sacred dead body of the traveller to the kingdom of holiness Hazrat Mumtazul Zamani, who was temporarily buried, was brought, accompanied by Prince Mohammad Shah, Suja bahadur, Wazir Khan and Satiunnesa Khanam, who knew the pemperament of the deceased intimately and was well versed in view of that Queen of the Queens used to hold, was brought to the capital Akbarabad (Agra) and an order was issued that very day coins be distributed among the beggers and fakirs. The site covered with a majestic garden, to ther south of the great city (of Agra) and amidst which the building known as the palace of Raja Man Singh, at present owned by Raja Jai asingh, grandson of Man Singh, was selected for the burial of the Queen, whose abode is in heaven. Although Raja Jai Singh valued it greatly as his ancestral heritage and property, yet he agreed to part with it gratis for Emperor Shahjahan, still out of sheer scrupulousness and religious sanctity, he (Jai Singh) was granted Sharifabad in exchange of that grand palace (Ali Manzil). After the arrival of the deadbody in that great city (of Agra), next year that illustrious body of the Queen was laid to rest and the officials of the capital, according to royal order, hid the body of that pious lady from the eyes of the world and the palace so majestic (imarat-e-alishan) and capped with a dome (wa gumbaje) was turned into a sky-high lofty mausoleum”.
Aurangzeb's letter to his father, emperor Shah Jahan, is recorded in at least three chronicles titled Aadaab-e-Alamgiri,Yadgarnama, and the Muruqqa-i-Akbarabadi (edited by Said Ahmed, Agra, 1931, page 43, footnote 2). In that letter Aurangzeb records in 1652 A.D itself that the several buildings in the fancied burial place of Mumtaz were seven storeyed and were so old that they were all leaking, while the dome had developed a crack on the northern side. Aurangzeb, therefore, ordered immediate repairs to the buildings at his own expense while recommending to the emperor that more elaborate repairs be carried out later. This is the proof that during Shah Jahan's reign itself that the Taj complex was so old as to need immediate repairs.
Shah Jahan then remodeled the palace into his wife's memorial. The use of captured temples and mansions as a burial place for dead courtiers and royalty was a common practice among Muslim rulers. For example, Hamayun, Akbar, Etmud-ud-Daula and Safdarjung are all buried in such mansions. Many rooms in the Taj Mahal have remained sealed since Shah Jahan's time, and are still inaccessible to the public.
The Rajasthan State archives at Bikaner preserve three other firmans addressed by Shah Jahan to the Jaipur's ruler Jaising ordering the latter to supply marble (for Mumtaz's grave and koranic grafts) from his Makranna quarris, and stone cutters. Jaisingh was apparently so enraged at the blatant seizure of the Tajmahal that he refused to oblige Shah Jahan by providing marble for grafting koranic engravings and fake centotaphs for further desecration of the Tajmahal. Jaising looked at Shah Jahan's demand for marble and stone cutters, as an insult added to injury. Therefore, he refused to send any marble and instead detained the stone cutters in his protective custody.
The ex-Maharaja of Jaipur retains in his secret personal ‘KapadDwara’ collection two orders from Shahjahan dated Dec 18, 1633 (bearing modern nos. R.176 and 177) requestioning the Taj building complex. That was so blatant a usurpation that the then ruler of Jaipur was ashamed to make the document public.
Bernier, a contemporary French visitor has noted that non-muslim's were barred entry into the basement (at the time when Shah Jahan requisitioned Mansingh's palace) which contained a dazzling light. Obviously, he reffered to the silver doors, gold railing, the gem studded lattice and strings of pearl hanging over Shiva's idol. Shah Jahan comandeered the building to grab all the wealth, making Mumtaz's death a convineant pretext.

Disfiguring and Tampering by Shah Jahan

Far from the building of the Taj, Shah Jahan disfigured it with black koranic lettering and heavily robbed it of its Sanskrit inscription, several idols and two huge stone elephants extending their trunks in a welcome arch over the gateway where visitors these days buy entry tickets.
Tavernier, a French jeweller has recorded in his travel memoirs that Shah Jahan purposely buried Mumtaz near the Taz-i-Makan (i.e.,"The Taj building") where foreigners used to come as they do even today so that the world may admire. He also adds that the cost of the scaffold-ing was more than that of the entire work. The work that Shah Jahan commissioned in the Tejomahalaya Shiva temple was plundering at the costly fixtures inside it, uprooting the Shiva idols, planting the centotaphs in their place on two stories, inscribing the koran along the arches and walling up six of the seven stories of the Taj. It was this plunder, desecrating and plunderring of the rooms which took 22 years.
A clue to the tampering by Shahjahan is found on pages 216-217, vol. 4, of Archealogiical Survey of India Reports (published 1874) stating that a "great square black balistic pillar which, with the base and capital of another pillar….now in the grounds of Agra,…it is well known, once stood in the garden of Taj Mahal".
An Englishman, Thomas Twinning, records (pg. 191 of his book "Travels in India - A Hundred Years ago") that in November 1794
"I arrived at the high walls which enclose the Taje-Mahal and its circumjacent buildings. I here got out of the palanquine and … mounted a short flight of steps leading to a beautiful portal which formed the centre of this side of the "Court of the Elephants" as the great area was called."
The Taj Mahal is scrawled over with 14 chapters of the Koran but nowhere is there even the slightest or the remotest allusion in that Islamic overwriting to Shah Jahan's authorship of the Taj. Had Shah Jahan been the builder he would have said so in so many words before beginning to quote Koran.
That Shah Jahan, far from building the marble Taj, only disfigured it with black lettering is mentioned by the inscriber Amanat Khan Shirazi himself in an inscription on the building. A close scrutiny of the Koranic lettering reveals that they are grafts patched up with bits of variegated stone on an ancient Shiva temple.